TBI- Exam question structure

LFTVD Question 3

The differences in the codes and conventions of long form television dramas reflect the different attitudes and beliefs of the audience that consume them. This is because LTVD’s need to create content which caters to their target audience such as mass audiences and niche audiences. In order to be successful. Netflix is an international company which services are available in 190 countries, therefore the codes and conventions need to appeal to the range of values in different countries. Differently DR’s codes and conventions appeal to a niche Nordic audience as it’s a small public service broadcaster, requiring a licence fee to create this content. Netflix however, needs more subscribers by appealing to a wide audience. Netflix hybridised genres including sci-fi, buddy, teen romance, coming of age and horror in the making of stranger things to appeal to its mass audience which contains viewers with different values and interests. Steve Neal’s genre theory is applicable to stranger thi

LFTVD question 4

LFTVD question 4 Butlers theory of gender performativity suggests gender is created based on how gender roles are performed and challenges the idea of binary identities in gender and sexualtity. This theory is useful when studying Long form television dramas as it can be applied to both stranger things and the killing. In Stranger things the character eleven is female by birth yet does not display feminine gender roles as she has not been influenced by society, therefore does not conform to the gender norms and is mistaken for will. Butlers theory can be applied to the characters Mr and Mrs wheeler as their heterosexual marriage is presented as the norm and almost idealist as they are portrayed as having the perfect, suburban, family life. This disregards other sexualities and supports butlers idea of binary identities being represented as the dominant idea in long form television dramas. The theory is also applicable to The Killing through the character troels who displays typical

How has changing patterns of audience consumption affected radio? Refer to the BBC radio 1 breakfast show to support your answer.

Public and private radio stations make up the uk radio industry. Private radio stations such heart, capital Fm, absolute radio and smooth are all owned by global which controls most of private radio. Public radio however, is dominated by BBC which own 11 radio stations and is a public service broadcaster meaning it is funded by the public through a yearly license fee of £154.40. As a bulb I’d service broadcaster the BBC’s channels must meet of OFCOMs six rules including impartial news and information, reflecting and representing all communities and high quality distinctive programmes .The BBC go by their reithian values of inform educate and entertain as as they aren’t driven by advertisements or profit (commercial interests) like the private sector of radio is, as it is publicly funded. Radio 1’s breakfast show target audience is 15-29 year olds, a demographic which are listening to less and less radio due to the advancement of technology in apps like Spotify and Apple Music wher

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